![]() The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. In order to achieve this and avoid superfluity of tradition, he studied old originals and the way in which they were drawn, as well as the development of colour used by the Byzantines. The cookie is used to store the user consent for the cookies in the category "Performance". As an iconographer George Kordis tries to have a creative relationship with the wealth of Byzantine tradition and not simply to copy the old originals. article Modern Art in Sudan called her a Sudanese artist of British origin. This cookie is set by GDPR Cookie Consent plugin. They used the Old Nubian language, Coptic, Greek or Arabic for different. ![]() The cookie is used to store the user consent for the cookies in the category "Other. This cookie is set by GDPR Cookie Consent plugin. Iconography uses line, primarily, to describe form. Ordinarily, he visits the US regularly, and offers workshops in both Greece and the US. The cookies is used to store the user consent for the cookies in the category "Necessary". George Kordis, a Greek native and Orthodox iconographer, has a reputation for being an excellent teacher, especially of drawing icons. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. ![]() The exhibition will be on display until December 31, 2020. In his work, he experiments with various media and techniques, including digital media. This exhibition is curated by the art historian George Mylonas.īorn in 1956, George Kordis is a painter, writer and university professor (he has taught iconography at the National and Kapodistrian University of Athens and Yale University, and continues to teach seminars at educational institutions both in Greece and abroad. Exhibited at the Museum of Byzantine Culture, the “pages” of his logbook consist of 17 digital paintings, printed in giclée on archival canvas. George Kordis’ “Logbook” has been written in digital print on the foundations of the Byzantine system of painting which has, however, been adapted to the conditions of today and to the terms of contemporary art. Like the poet, Kordis is also enthralled by history yet keeps his gaze fixed on life itself. George Kordis from Greece introduced the student to the theory and. In Kordis’ work, the entire history of the island is unfurled like a canvas that enables the artist to invoke figures from beyond the boundaries of space and time, transcending any correspondence or analogy, but always preserving their humanity. CHICAGO, IL: Greek Orthodox Metropolitan Iakovos of Chicago. The painter George Kordis engages in a visual dialogue with George Seferis, specifically with the third part of Seferis’ Logbook, a collection of poems inspired by Cyprus. in the multi-purpose room “Eftychia Kourkoutidou-Nikolaidou”. The temporary exhibition “Logbook” opens at the Museum of Byzantine Culture on Friday, October 16th, 2020, at 7:30 p.m.
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